- Children disappearing off the grid in DIE VERMISSTEN (REPORTED MISSING) [teaser]
- A life out of order in Twilight Zone styled SHUFFLE
- Michael Bartlett talks ZOMBIE DIARIES 2 and why you SHOULD NOT buy the US version
- Re-killing bin laden in zombie actioner OSOMBIE (trailer)
- Will you see this film? Teaser poster for RESIDENT EVIL: RETRIBUTION
- Ubuntu: Sending command line mail
- Ubuntu: Sending command line mail
- Re-killing bin laden in zombie actioner OSOMBIE (trailer)
- A Panda protects the innocent in WASTLANDER PANDA tv series
- Trailer for DEAD SHADOWS - Is there some Lovecraft influence?
- Re: Life Is Dead
- Balkans war revenge movie - Nicolas Cage?
- PA Film Archive
- i kill
- Re: Life Is Dead
- Monster Killer
- zombie films
- Re: Life Is Dead
- Re: Hello is anybody there?
- Re: Hello is anybody there?
- Trailer for ZOMBIE MURDER EXPLOSION DIE! All 4 of these in every episode!
- Wandering madly in the remnants of civilization in Greece's HIGUITA (teaser)
- THE HOST director's English language debut SNOW PIERCER adds cast
- Argentina invaded by NEWMEDIA aliens
- THE DIVIDE movie review
- THE RIDER still rides! New teaser reveals stunning final animation style
- EXCLUSIVE: Trailer for RAMPAGE IN HEAVEN sees The Monkey King and mech in a nightmarish dying world
- Sony could back Seth Rogan's THE APOCALYPSE (Jay and Seth vs. The Apocalypse)
- Russia's snowed under with zombies in WINTER OF THE DEAD
- New species rise from the apocalypse in teaser for SOULWEAVER: REQUIEM FOR EARTH (Sielunkehrääjä)
- Badass cheerleader meets the zombie apocalypse in JESSA KILL webseries (video)
- SLAMDANCE 2012: Review of killer tattoo thriller COMFORTING SKIN
- DVD Review: Style overshadows heart in spunky comedy SPORK
- DVD Review: Daniel Craig loses his mind in mediocre DREAM HOUSE
- SUNDANCE 2012: Review of EXCISION
- SUNDANCE 2012: Review of THE PACT
- SUNDANCE 2012: Review of GRABBERS
- SUNDANCE 2012: Review of SAFETY NOT GUARANTEED
- SUNDANCE 2012: Review of the visionary BEASTS OF THE SOUTHERN WILD
- SUNDANCE 2012: Review of (Radio Shack) ROBOT AND FRANK
- SLAMDANCE 2012: Review of unimpressive UNCONDITIONAL
- SUNDANCE 2012: Review of (Radio Shack) ROBOT AND FRANK
- Monty Python reunite for scifi comedy ABSOLUTELY ANYTHING
- Creature with cow tail lures men to their death in THALE (trailer)
- SLAMDANCE 2012: Review of unimpressive UNCONDITIONAL
- Seventeen and a robotic teddy bear for a best friend in ANIMALS (trailer)
- Costa Rican's pay it forward in apocalypse drama EL FIN
- New trailer for m*therfu**ing space nazi flick IRON SKY
- Berlinale 2012: Full Panorama program includes world premiere of IRON SKY
- If The Walking Dead was an 80s sitcom....
- First promo art for FANGS OF WAR - The allies fight over Dracula
- Trailer for Babis Makridis' L reveals the Roy Andersson absurd
- ROTTERDAM 2012: First stills and poster for 70s poltergeist story WHEN THE LIGHTS WENT OUT
- Wandering madly in the remnants of civilization in Greece's HIGUITA (teaser)
- Do a shot and watch this clip from GRABBERS
- First look at the bloody cast of THE CULLING
- God sends messages via the Writing Down Machine in SHOCK HEAD SOUL (trailer)
- Producers claim documentary of Mayan underwater cities and ET contact will shake the world
- EXCLUSIVE: Grabbers directors next is scifi-adventure OUR ROBOT OVERLORDS
- SUNDANCE 2012: First footage for midnighter THE PACT
- Stunning scifi short ARCHETYPE says memories are a glitch
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Film Festivals
Whistler Film Festival
Nov 30 - Dec 04
Whistler, British Columbia, Canada
Paris International Fantastic Film Festival
Nov 23 - Nov 27
Paris, France
Sundance Film Festival
Jan 19 - Jan 29
Park City, Utah
Slamdance Film Festival
Jan 20 - Jan 26
Park City, Utah
International Film Festival Rotterdam
Jan 25 - Jan 04
Rotterdam, Netherlands
Berlin International Film Festival (Berlinale)
Feb 09 - Feb 19
Berlin, Germany
Vancouver International Film Festival
Sep 29 - Oct 14
Vancouver, British Columbia, Canada
Seattle International Film Festival
May 17 - Jun 10
Seattle, Washington
Festival de Cannes
May 16 - May 27
Cannes, France
Fantastic Fest
Sep 22 - Sep 29
Austin, Texas
Boston Underground Film Festival
Mar 24 - Mar 31
Boston, Massacheusets
AFI FEST
Nov 03 - Nov 10
Los Angeles, California
Los Angeles Film Festival
Jun 14 - Jun 24
Los Angeles, California
Screamfest LA
Oct 14 - Oct 22
Los Angeles, California
Shriekfest
Sep 29 - Oct 02
Los Angeles, California
Fantaspoa de cinema fantastico
Jul 01 - Jul 17
Porto Alegre, Brazil
Yubari International Fantastic Film Festival
Feb 23 - Feb 27
Yūbari, Hokkaidō, Japan
Telluride Horror Show
Oct 12 - Dec 14
Telluride, Colorado
Morbido Fest
Oct 27 - Oct 30
Mexico
Cinequest Film Festival
Feb 28 - Mar 11
San Jose, California
South by Southwest (SXSW)
Mar 09 - Mar 17
Austin, Texas
Staff
Don Neumann aka quietearth
Editor in Chief
Fort Collins/Denver, Colorado
agentorange
Managing Editor
Edmonton, Alberta
Marina Antunes
Assistant Managing Editor
Vancouver, British Columbia
projectcyclops
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
The Crystal Ferret
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
kilowog
LA Correspondent
Los Angeles, California
Joao Fleck
South American Correspondent
Porto Alegre, Brazil

Year: 2008
Release date: Unknown
Director: Sean Plemmons
Writer: Jeff Hansen/John Pickle/Sean Plemmons/James Ross
IMDB: link
Trailer: link
Review by: Ulises Silva (via VeryTragicalMirth)
Rating: 7 out of 10
For all of you who’ve waited for a movie best-described as The Outer Limits meets Cletus The Slack-jawed Yokel (of The Simpsons fame) wait no more! And if you think I’m being facetious, you’re only half right! The Importance of Being Russell by Paradox Productions and Pickle TV is, well…The Outer Limits meets Cletus the Slack-jawed Yokel, for better or worse. An incongruous but ultimately amusing mix of low-tech sci-fi, potty jokes (because, as the lead character explains, “taking a dump is universally funny”), and redneck humor, The Importance of Being Russell demonstrates that, yes, you can make an entertaining sci-fi movie about a redneck inventor, citified minions, and a time machine telephone that, if used improperly, could, you know, make your molecules break up.

The story centers around Russell Hawker (John Pickle), a redneck with a thing for inventing things in a shed outside his trailer. Among his inventions: a ‘tool’ (kind of like a Swiss Army Knife…but with…tools), a personal taco-eating hands-free machine, and the world’s first shotgun silencer (a pillow duct-taped to the shotgun’s muzzle). Oh, and he’s also working on something else: a time machine telephone which, once completed, will let him place calls to the future—to find out what the next great invention is going to be. Poor Russell, though. Not only is he in a loveless marriage with a harpy of a wife, Sissy (Jenny Lynn), it seems some big company, Cranium Concepts (kind of like The Home Shopping Network From Hell), always manages to release similar inventions just ahead of his. Yes, even a shotgun silencer. Coincidence? Or is it something else?

Well, one thing leads to another, and Russell, along with his dim-witted partners, Harlen (Wade Long) and Jamon (Justin Birman), decide to go to Big City (the local metropolitan center) to find the last part for the time machine phone. Before you know it, the trio of goofballs are trapped in Vandemeer Manor, home of Patricia Vandemeer, the CEO of Big City Enterprises, who reveals a dastardly plot. See, she’s got this green liquid (scientifically referred to by Russell and company as that ‘green needle [expletive]’) that will ‘citify’ her redneck captives. And, true enough, an accidental exposure to that green needle [expletive] turns Russell into a citified, straight-talking, corporate-loving preppy that only a beer infusion machine (the culmination of redneck technology, says its inventor) can cure. Oh, the horrors.

And yet more things lead to other things, and before you know it, Russel and co. are forced to confront Lady Vandemeer and her minions in order to save Sissy and Gigi (Harlen’s wife). And in the process, he comes face to face with the main mastermind…The Head, a giant head on a TV from the future who reveals the truth about Russell’s inventive genius…and his hand in The Head’s plans for world domination.
Are you confused yet? If so, then that makes two of us.
The movie, while consistent and effective in its light-hearted, whimsical tone, nonetheless suffers from an overly drawn out and loose storyline. It takes the film nearly an hour to get to its main plot—the one about Lady Vandemeer looking to turn rednecks into a band of mindless, citified minions (the term of choice, according to the credits) under the mysterious orders of The Head. Meanwhile, we’re left hanging, occasionally laughing at Russell’s antics, but also asking, “okay, so is this going anywhere?” By the time we know what’s really up, we’ve taken several detours into inexplicable tangents. Including a strange Vietnam-like war sequence (which suggests Russell and co. are war veterans…even though the start of the film is Russell as a baby…in 1975…) and one involving a dead chicken in a car engine. Hey, I’m not making this stuff up.

And even when we get to the film’s final revelation, there’s still a sense that we could have gotten there sooner, and that maybe the film should have done more with that whole green needle [expletive] turnin’ them boys’ into citified minions. Because it was a funny premise; it’s just buried beneath a loose plot that dilly dallies way too long in sight gags, toilet humor, and the finer intricacies of redneck vernacular.
Having said all that, the film genuinely has its laugh-out-loud moments. Some of its gags are outright hysterical, including Russell’s occasional pearls of redneck wisdom (“It’s called science. Albert Frankenstein came up with a few years back”). The ending, despite the film’s convolution in getting us there, is brilliant, especially as Russell comes face to face with the truth about who The Head really is. And, for a film that was shot on a micro-budget, the acting is superb across the board, with the actors pulling off their redneck caricatures with seamlessly absurd grace. John Pickle does an especially good job as the title character, making Russell a totally believable doofus. But an industrious, good-hearted, earnest doofus whose idea of romance (including his end-of-film reconciliation with Sissy: “I realized,” he tells his love-starved wife, “that the [expletive] that makes me feel important is right here”), like his inventiveness, is crude but functional. Okay, barely.

In the end, The Importance of Being Russell is an amusing movie with enough humor to sustain its drawn-out, convoluted plot. Tighter plot development could have made this a real indie gem, but it’s a good indie film in its own right thanks to some great performances and genuinely funny gags. And if nothing else, I’m sure you’ll agree that it’s the best EVER movie about a redneck inventor who invents a time machine telephone that a gaggle of green-needle-[expletive]-wielding bad guys desperately want. Yes, even better than that other one. You know, the one with the guy.
agentorange (3 years ago) Reply
Haha, great review. If I come across this one I'll have to check it out. Looks pretty whack.
Anonymous (2 years ago) Reply
I saw this when it was called "horse Shit"
Leave a comment
Related articles



