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Posted on Monday, January 26th, 2009 18:52:58 GMT by: Ben Austwick
Posted under: post apocalyptic movie review scifi
Year: 2006
Directors: Elio Quiroga
Writers: Elio Quiroga
IMDB: link
Trailer: link
Amazon link: link (R2 DVD)
Review by: Ben Austwick
Rating: 7 out of 10
Spanish post-apocalyptic thriller “The Dark Hour” is an understated piece of cinema that resists the temptation to indulge in distracting set pieces in favour of a dark and moody atmosphere. Why then director Elio Quioga felt the need to spoil the good work with an overblown final twist that would have been rejected by M Night Shyamalan is anyone’s guess.

Jesus is a boy on the cusp of adolescence living in a claustrophobic network of underground bunkers following a nuclear and biological holocaust, a surrogate family consisting of a handful of young adults and a slightly older teenage girl his only companions. This claustrophobic world is presented ambiguously, with cordoned-off areas of the bunker hinting at lurking danger, and strange black-and-white propaganda programmes about nuclear, biological and genetic warfare transmitted to the bunker’s television set turning what initially seems a pretty straight-forward set up into something more intriguing.

This is handled beautifully and there are some great details. At one point the television set shows archive footage of an old Soviet experiment into keeping a dog’s head alive once it has been separated from the body (the original footage is on youtube), with an added voiceover about the enemy building an army of dog-headed clones. This is clever and original film making that adds layers of plausibility to the basic set-up without diverting from the story. Other details, like an older member of the group seemingly being a Nazi concentration camp survivor, are intriguing and serve to increase your curiosity about the world “The Dark Hour” is set in.

Elements from the outside world creep into the bunker intermittently, and they aren’t nice – zombie victims of biological warfare threaten to spread their disease to the few remaining survivors, while in a very Latin magical realist touch strange heat-seeking ghosts mean spending nights at freezing temperatures while spirits rattle at locked doors. As these elements press down on the bunker’s inhabitants it becomes apparent that their position is untenable and something will have to give.

After a bit of thought the intrusive ending does sort of work, but that doesn’t stop it from being corny, clumsy and out of step with everything that precedes it. All the subtlety of the previous ninety minutes is sacrificed for the sake of an overdramatic twist, and it’s not even as if the film was running out of steam or heading down a dead end, the usual excuses for a bad ending. It is unfortunate that what is otherwise a great film is spoiled this way, but spoiled it is.
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