- EIFF 2019: ANIARA is a Deeply Haunting Sci-Fi Experience [Review]
- Darkstar Pictures Announces Free Online Film Festival!
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- SKYLINES Is Coming! [Poster Premiere]
- Who Hunts Who in HUNTER HUNTER? [Trailer]
- MONSTER HUNTER Coming for Christmas [Trailer]
- Saskatoon Fantastic Film Festival Returns with In-Person Event [Line Up]
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- Re: Occupation, Australian Sci Fi movie
- Slice of Life, Blade Runner inspired short
- Is Snowpeircer a sequel to Willy Wonka?
- Re: Yesterday
- Re: Yesterday
- Yesterday
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- BERLINALE 2021: TIDES Comes After Hell [Trailer]
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- A Comet Destoys Earth in GREENLAND Trailer
- Interactive WAR OF THE WORLDS Adaptation Out Now!
- 8K Trailer for Train to Busan Sequel PENINSULA Drops Hard!
- Making a Bomb Shelter in a Funhouse is a Bad Idea in IMPACT EVENT [Trailer]
- Retro Slave: FOX's Post-Apocalyptic Sitcom WOOPS!
- TRAIN TO BUSAN Sequel PENINSULA Gets a Teaser Trailer
- New on Blu-ray and DVD for March 11, 2020
- The Apocalypse Kills Women in ONLY [Trailer]
- Trailer for TheWalking Dead: World Beyond Spin-Off Series
- SATOR is a Welcome Addition to the Folk Horror Canon [Review]
- Women in Horror Month: NEAR DARK
- SOUTHLAND TALES: The Cannes Cut [Review]
- A Woman's Mind Unravels in BIGHT HILL ROAD [Review]
- TIFF 2020: Vanlife Gets a Reality Check in NOMADLAND [Review]
- TIFF 2020: APPLES, THE WAY I SEE IT, PIECES OF A WOMAN & ONE NIGHT IN MIAMI [Capsule Reviews]
- TIFF 2020: The Truth Tellers Return with THE NEW CORPORATION: THE UNFORTUNATELY NECESSARY SEQUEL [Review]
- TIFF 2020: NEW ORDER is Brutal, Violent & a Must-See [Review]
- TIFF 2020: ENEMIES OF THE STATE, Or Are They? [Review]
- TIFF 2020: HOLLER Explores Life in a Dying Town [Review]
- 2067 Director Talks Inspiration, Environment & Time Travel [Interview]
- THE STRANGERS Director Returns with THE DARK AND THE WICKED [Trailer]
- Michael Shannon is Crime Boss in ECHO BOOMERS [Trailer]
- Hair Extensions Get Horrific in BAD HAIR [Trailer]
- TIFF 2020: Vanlife Gets a Reality Check in NOMADLAND [Review]
- VIFF 2020: Sobriety, Reintegration & Telekinesis Come Together in THE CURSE OF WILLOW SONG [Interview]
- VIFF 2020: Revenge Thriller Re-Examined in VIOLATION [Interview]
- VIFF2020: Director Loretta Todd on the Making of Her Debut Feature MONKEY BEACH [Interview]
- TIFF 2020: APPLES, THE WAY I SEE IT, PIECES OF A WOMAN & ONE NIGHT IN MIAMI [Capsule Reviews]
- TIFF 2020: The Truth Tellers Return with THE NEW CORPORATION: THE UNFORTUNATELY NECESSARY SEQUEL [Review]
- TIFF 2020: NEW ORDER is Brutal, Violent & a Must-See [Review]
- TIFF 2020: ENEMIES OF THE STATE, Or Are They? [Review]
- NO ESCAPE Director Talks Influencers, Escape Rooms & Writing [Interview]
- TIFF 2020: HOLLER Explores Life in a Dying Town [Review]
- The Funny Side of Alien Invasions: You have to SAVE YOURSELVES! [Trailer]
- Kodi Smit-McPhee Goes to the Future to Save the Present in 2067 [Trailer]
- First Look at Denis Villeneuve's DUNE [Trailer]
- Fantasia 2020: LAPSIS, THE COLUMNIST, MINOR PREMISE, FEELS GOOD MAN & HAIL TO THE DEADITES [Capsule Reviews]
- BUNRAKU Writer/Director Returns with LX 2048 [Trailer]
- BLOOD QUANTUM Writer/Director Talks Inspiration, Zombies & Representation [Interview]
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Crew
Marina Antunes
Editor in Chief
Vancouver, British Columbia
Christopher Webster
Managing Editor
Edmonton, Alberta
DN aka quietearth
Founder / Asst. Managing Editor
Denver, Colorado
Simon Read
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
Manuel de Layet
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
Daniel Olmos
Corrispondente in Italia
Italy
Griffith Maloney aka Griffith Maloney
New York Correspondent
New York, NY
Stephanie O
Floating Correspondent
Quiet Earth Bunker
Jason Widgington
Montreal Correspondent
Montreal, Quebec
Carlos Prime
Austin Correspondent
Austin, TX
Latest news







Year: 2009
Directors: Buddy Giovinazzo
Writers: Buddy Giovinazzo
IMDB: link
Trailer: link
Purchase DVD: link (R1 release July 28th)
Review by: quietearth
Rating: 8 out of 10
Combat Shock more than deserves the pedigree of cult status, ranking with the likes of other favorites like Phantasm or Phase IV in its miasma and almost accidental brilliance. From the mind of Buddy Giovinazzo, this film retains the shocking status it earned in the 80s, and with a hint of Eraserhead and the destroyed, weed overgrown backdrop of The Warriors, it will pass into eternity as a favorite among cinephiles. What begins inside a small, freezing bamboo box in a Vietnamese POW camp with the quote "I can no longer tell where one torture ends and the next begins" grows the seeds of madness.
I'm going to eschew analysis of what is, ostensibly, a statement about the horrors of the Vietnam war, it's after affects, and the treatment of vets. Instead, I'll enjoy Combat Shock with it's nightmarish tether to war flashbacks like "I go back there every night without fail", for what it is. What is it? Possibly an inspiration for Jacob's Ladder. Most definitely, a thoroughly enjoyable excursion into mental deterioration.
Our protagonist has no job, a nagging wife, deformed baby, and junkie friends. The apartment they live in is filthy, the tv barely getting a signal, their environment, hostile at worst and depressing at best. The shops are closed, weeds grow from every crack. The train stations look like they were shut down 20 years ago but still operate. Everything is covered in graffiti and few people tread the same streets. All seems empty and lifeless just like the insides of all of our characters. And through the 24 or so hour period the film covers, it goes from terrible, to horrendous.
Since they have no food, our main character searches the streets as if he could find a job, empathetic to those around him but hurting inside. His junkie friends need a fix and he'd like to help, but there's not much he can do. We see his own terrible situation along with the rest, everyone scrounging for what they want or need, and we can't help but like him. The rest of the characters, a dead end sign chained around their neck, have a heavy Italian lilt, some mafia in style. This is his world.
The foreboding 80s synth music, complete with heavy whammy bar usage, only lends more credibility to the mental deterioration in it's repetitive annoyance as our main character is transported back to Vietnam to relive the guilt and the horrors of torn bodies and spilled guts. Each time his focus comes back to the present, the line between these two worlds becomes even more blurred, the sweat from his last shift still dripping from his forehead. Whether it's the agent orange or the crushing weight of his history (or both), he has no options left and makes one last ditch effort.
The director's cut was my first and only viewing of this Troma released film, and I think I'll keep it that way. If you love the same kind of films we here at Quiet Earth do, you won't want to miss this.
You might also like








agentorange (11 years ago) Reply
Sounds utterly fascinating. Maybe Troma hasn't completely lost it just yet.

projectcyclops (11 years ago) Reply
I'd heard of this but never seen it before, sounds amazing.

Andrew (11 years ago) Reply
I've been looking to toss my old dvd for years now. Finally.