You are not logged in. Login or Register for free.
Title only?
Strange sound and vision from here to the end of the world.
"We're fans first, journalists second."






  15 comments
  Email this

  


Posted on Monday, September 7th, 2009 21:36:54 GMT by: Ben Austwick
Posted under: movie review horror united kingdom

Year: 2009
Directors: Philip Ridley
Writers: Philip Ridley
IMDB: link
Trailer: N/A
Review by: Ben Austwick
Rating: 4 out of 10

While commendable, ambition is rarely enough to carry a movie, and trying to do too much can ruin one quite easily. Restraint, directness, brevity and attention to detail are in many ways a much more effective way to transfer an idea to the big screen, but Heartless is a film that manages none. Chasing itself round in circles, lacking even the small amount of believability needed for a fantasy piece and getting bogged down in its own directionless story, ambition is one thing Heartless isn't lacking, but it seems to be to the detriment of everything else.

Jim Sturgess plays Jamie Morgan in an awful, snivelling performance that's the first of many problems in this sprawling, credulity-stretching film. Wet-eyed, stooping and looking as if he's constantly on the verge of bursting into tears, perplexingly Jamie is seen as a stand-up guy and is approached by a couple of friendly strangers integral to the plot in the film's opening scenes, whereas in real life they'd run a mile. Perhaps it's the artfully scruffy, trendy look he sports that attracts them, which along with his career as a professional photographer doesn't quite fit the council flat-dwelling, East End everyman character he's meant to be. The rest of his family fit the East End archetype well, but Jamie just looks like, well, a drama student. This is minor and perhaps something a lot of viewers will happily ignore, but it's symptomatic of a lack of attention to detail that at times crosses into blindness.

Heartless's opening ideas, despite playing to the hysterical fear of a feral underclass perpetrated by the British tabloid press, are actually quite effective. In the dark, claustrophobic streets of Shoreditch and Bethnal Green in East London, youths in hoodies and demonic masks are torching innocent passers-by by throwing petrol bombs at them; but on seeing them close up, Jamie knows the truth - they actually are demons, sent to bring chaos to the city. The doom-laden millennial feel of this opening section is set nicely against the grimy, urban backdrop, which while a little clichéd (despite pockets of poverty, gentrified Shoreditch is very much the artistic heart of London, with all the photo shoots and art school short films this entails) is still an effective location.

It's when Jamie meets the leather-trousered king of the demons that the film really begins to go downhill. There is nothing wrong with bringing fantasy into this type of gritty, urban setting, but the clichéd Gothic styling of Heartless is not the way to do it, removing it further from present-day East London reality and buying into an existing, dated vision that is all about image and playing to a particular audience, rather than trying to do anything new or explore the ideas thrown up by the film's premise. To be fair there are nods to modern day London in multicultural incidental characters, but none are developed and only serve to cloud the story. The turgid rock soundtrack, performed by the director's own band with vocals by himself, is an awful vanity project that shouldn't have got anywhere near the film, and reinforces the impression of a self-important director blind to his own failings.

The story rapidly gets lost in its own meanderings, each new part linking to the part before but not necessarily the part before that, but the general idea is that Jamie is set a task by the demon king that will turn his problems around and give him the happy life that has always been so elusive. The gruesome task taps into the established mythos of Shoreditch, the half-fact, half-fiction of eighteenth-century occult church architect Nicholas Hawksmoor and the Jack the Ripper murders of the nineteenth-century, explored by writers such as Iain Sinclair, Peter Ackroyd and Alan Moore; but these solidly intriguing fantasies are eschewed by Philip Ridley in favour of his own ideas, which in comparison are woefully lacking.

A muddy ending ties up the ends but doesn't forgive the convoluted meanderings of what has come before, and is finished off in a poor cop-out of a finale that really should have tried to add some solidity to the pretentious, self-important nothingness of the film that preceded it. You're left with a film that covers a hell of a lot of ground but manages to say absolutely nothing, all gloss and no substance, fantasy as cliché that does little but tap into the right imagery. What's worrying is how popular it seemed with the Frightfest crowd, and the thought that Philip Ridley may feel vindicated in his vision rather than go and have a big, long think about what he's done.

RSS Feed for comments

Comments

woah...how much we disagree. How you can call Jim Sturgess's performance awful is beyond understanding. He gave the most incredible and naturalistic performance I've seen from an actor in recent memory (and about 1000 people in the audience would probably agree). I was so affected by the power of this film and the performances.
Why do I just get the feeling that you are going against the grain just to stand out!?

Posted by: Jimmy C | September 8, 2009 03:16:17 am | permalink

I'm not doing that at all and never do, please see my other reviews for proof!

Similarly I can't understand why on earth everyone at Frightfest liked this so much, but there are a handful of us who think it's just awful. I was expecting to get a bit of stick for this review though.

As for Sturgess's preformance, I can see why some might like it, but naturalistic???

Posted by: Ben Austwick | September 8, 2009 03:21:27 am | permalink

I'd like to point out some mistakes in your 'review'...

(1) it was not the directors own band who performed the songs, and it weren't was it the director who sang the songs. The director merely wrote the words. As, indeed, he had done on his previous film, The Passion of Darkly Noon. And the director was in a band and writing lyrics, long before he ever made his first film. It was Sturgess who sang the songs... if fact unless you were late he sung them LIVE in front of the whole audience!

(2) Ridley was born, was brought up, and still lives in the area where the film was shot. So, if anyone knows that area, it should be him.

(3) It was clear to me that the character Jamie didn't really have a career as a professional photographer. Just the opposite. He hid himself away and merely hung up his photos at home. Wasn't that the whole point...?

(4) The whole film is seen through the eyes of Sturgess's character. It's HIS perception of the world around him that we're seeing. A point that seems to be totally missed, or deliberately ignored in order to score points, by the reviewer.

Also big up for insulting the frightfest crowd...

Posted by: FarieTale | September 8, 2009 03:24:38 am | permalink

Sorry I really should have noticed it was Sturgess and not the director. My bad.

Disagreeing with an audience is insulting them? Please

Posted by: Ben Austwick | September 8, 2009 03:53:58 am | permalink

I was really taken by Sturgess' performance. As Farietale mentioned, most of the events happen in Jamie's mind, and once I got into that perspective I found the movie really satisfying. I also thought the soundtrack worked well and set the tone.

Posted by: Cage Frighter | September 8, 2009 06:41:52 am | permalink

Thanks for your restraint Cage Fighter, people seem to get awfully insulted sometimes!

I think the "all in the mind" trick is a bit of a cop-out, akin to "it was all a dream". It removes the need for meaning.

I didn't mention it because I thought it gave things away a little, but never mind...

Posted by: Ben Austwick | September 8, 2009 07:15:20 am | permalink

Ben read your review with interest and by and large I do agree with your overall assessment. I was at the Frightfest premiere .. well me and 1300 others! .. and came out of it thinking "ok I guess and watchable enough but where was this groundbreaking masterpiece I kept hearing about in articles beforehand".

Went into it with an open mind as I've never seen any Philip Ridley movies before.I felt the movie was a little disappointing and thought it self to be much cleverer and original than it actually was.

Overall it was a well put together and shot movie with some good (but not great) performances by Sturgess, the young girl and also the versatile Eddie Marsan but there was nothing really highly original in it. A mix of elements which didnt always gel and it was obvious early on that the majority of the goings on were all in Jamie's head.

I wouldnt honestly say that it was universally hailed by the Frightfest audience - a slight majority probably either loved it or liked elements of it - as from my experience it seemed to polarise opinions from those loving it and claiming they wept buckets in it (the crying thing nonplusses me completely .. didnt connect or even care much about the characters .. apart from Jamies mum to be upset at their demise) to those violently hating it to those of us in the middle who though it was ok but nothing out of the ordinary and a little cliched in its view of the world Jamie and his family live in.

The post festival review from the organisers made the comment that "Heartless received the love it/hate it reception that it will have to get used to" and I think thats quite accurate.

I'm quite interested in how Lionsgate are going to handle this one - looking at the kind of movies they usually release I'm thinking "is Heartless the movie they expected? if its not what they expect then how will they deal with it?" I get the feeling they would have preferred the molotov wielding hoodies and Papa B to be real and not just a figment of Jamie's troubled mind.

Posted by: Rick Archer | September 8, 2009 10:04:14 am | permalink

Interesting points Rick, thanks. I'm glad to see I'm not the only one who didn't like it, though you seem to have taken a more balanced view :) We differ in that I didn't even find it watchable, and would have walked out if I hadn't been asked to write this review.

I haven't seen any of Ridley's other films either and you've got me wondering if seeing some consistency in his work (even if it is based on something I don't personally like) might give me a bit more respect for him. I hate talking myself into watching more from a director I haven't liked but it seems that I just have...

Posted by: Ben Austwick | September 8, 2009 10:50:38 am | permalink

Well I was in a good mood and open to a new experience and I was trying to give Ridley the benefit of the doubt - catch me on a bad day and I might have felt "what a crock" :) Out of interest I checked out the Frighfest forum and boy was it getting a little heated on there! Interesting reading but a strange vibe at times of some who passionately loved the movie almost berating those who didnt?? On Ridley's other movies Reflecting Skin seems interesting so I might give it a try ... not a priority but a possible.

Posted by: Rick Archer | September 8, 2009 11:26:33 am | permalink

I saw this at Frightfest and all I have to say is: what a pile of pretentious, artificial poop. Bad acting, VERY forced direction and a completely self-indulgent script that goes from bearable to laughable about 1/3 in. How does this nonsense get financed?

Posted by: Disappointed x 1000 | September 8, 2009 07:36:51 pm | permalink

this film is absolute rubbish, avoid it at all costs!

Posted by: Anonymous | October 8, 2009 04:33:13 am | permalink

twitchfilm likes it

Posted by: Anonymous | October 9, 2009 12:24:52 am | permalink

My eyebrows have shot through the roof of my head reading that Twitch review. The reviewer gushes so much that anyone in the same room as him was probably up to their ankles in water. I kinda liked most of this flick but I definitely did not find it to be some kind of truly awesome, ground-breaking, highly original and emotionally charged experience. Mr Twitch - did we see the same movie?? are there two versions out there?? Are you Phil Ridley's Mum or his Publicist ??? Its looking like a real Marmite of a movie - loveit or hate it - to me.

Posted by: Anonymous | October 9, 2009 01:00:29 pm | permalink

I thought it was really beautiful... no idea who Philip Ridley is... only seen Sturgess in 21 so wasn't expecting anything and found myself quite taken with the whole experience. So much so I looked it up in imdb

Posted by: Anonymous | October 12, 2009 11:22:08 am | permalink

it's terrible. pretentious and really one to avoid at all costs. Anyone who says otherwise, is something to do with the film!

Posted by: anonymous | February 18, 2010 08:58:31 am | permalink

Post a comment

Name:
(default is Anonymous)
Contact:
(email or url, optional)
Comment:
(no html or bbcode)
Captcha:



Related articles
Posted on Tuesday, November 3rd, 2009 19:20:26 GMT by: projectcyclops |   0 comments

Posted on Saturday, October 31st, 2009 23:13:24 GMT by: projectcyclops |   0 comments

Posted on Saturday, October 31st, 2009 23:20:38 GMT by: projectcyclops |   0 comments

Posted on Friday, October 9th, 2009 20:31:50 GMT by: rochefort |   3 comments

Posted on Thursday, March 13th, 2008 19:14:06 GMT by: agentorange |   0 comments




rss | subscribe via email | the team | contact us | mobile
© 2006-2009 Don Neumann (except where applicable)
We are looking for free hosting with a cut of sales, you'll get a link right here.
If you want news of your film posted, use our contact page and we'll check it out
Permission is granted to use material from this site if you provide a reference to us via a link and DO NOT HOTLINK.


GenreBanners.com Banner Exchange