- Darkstar Pictures Announces Free Online Film Festival!
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- Stunning First Look at Indie Fantasy THE WANTING MARE [Trailer]
- SKYLINES Is Coming! [Poster Premiere]
- Who Hunts Who in HUNTER HUNTER? [Trailer]
- MONSTER HUNTER Coming for Christmas [Trailer]
- Saskatoon Fantastic Film Festival Returns with In-Person Event [Line Up]
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- Win a copy of JAMES CAMERON'S STORY OF SCIENCE FICTION [Contest]
- Slice of Life, Blade Runner inspired short
- Is Snowpeircer a sequel to Willy Wonka?
- Re: Yesterday
- Re: Yesterday
- Yesterday
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- A Comet Destoys Earth in GREENLAND Trailer
- Interactive WAR OF THE WORLDS Adaptation Out Now!
- 8K Trailer for Train to Busan Sequel PENINSULA Drops Hard!
- Making a Bomb Shelter in a Funhouse is a Bad Idea in IMPACT EVENT [Trailer]
- Retro Slave: FOX's Post-Apocalyptic Sitcom WOOPS!
- TRAIN TO BUSAN Sequel PENINSULA Gets a Teaser Trailer
- New on Blu-ray and DVD for March 11, 2020
- The Apocalypse Kills Women in ONLY [Trailer]
- Trailer for TheWalking Dead: World Beyond Spin-Off Series
- BORDERLANDS Movie From Eli Roth in Development
- A Woman's Mind Unravels in BIGHT HILL ROAD [Review]
- TIFF 2020: Vanlife Gets a Reality Check in NOMADLAND [Review]
- TIFF 2020: APPLES, THE WAY I SEE IT, PIECES OF A WOMAN & ONE NIGHT IN MIAMI [Capsule Reviews]
- TIFF 2020: The Truth Tellers Return with THE NEW CORPORATION: THE UNFORTUNATELY NECESSARY SEQUEL [Review]
- TIFF 2020: NEW ORDER is Brutal, Violent & a Must-See [Review]
- TIFF 2020: ENEMIES OF THE STATE, Or Are They? [Review]
- TIFF 2020: HOLLER Explores Life in a Dying Town [Review]
- Fantasia 2020: THE OAK ROOM, MARYGOROUND & CLIMATE OF THE HUNTER [Capsule Reviews]
- UNCLE PECKERHEAD is One Note but Fun [Review]
- Dave Franco Shows Potential as Director with Debut Feature THE RENTAL [Review]
- VIFF2020: Director Loretta Todd on the Making of Her Debut Feature MONKEY BEACH [Interview]
- TIFF 2020: APPLES, THE WAY I SEE IT, PIECES OF A WOMAN & ONE NIGHT IN MIAMI [Capsule Reviews]
- TIFF 2020: The Truth Tellers Return with THE NEW CORPORATION: THE UNFORTUNATELY NECESSARY SEQUEL [Review]
- TIFF 2020: NEW ORDER is Brutal, Violent & a Must-See [Review]
- TIFF 2020: ENEMIES OF THE STATE, Or Are They? [Review]
- NO ESCAPE Director Talks Influencers, Escape Rooms & Writing [Interview]
- TIFF 2020: HOLLER Explores Life in a Dying Town [Review]
- The Funny Side of Alien Invasions: You have to SAVE YOURSELVES! [Trailer]
- Kodi Smit-McPhee Goes to the Future to Save the Present in 2067 [Trailer]
- First Look at Denis Villeneuve's DUNE [Trailer]
- Fantasia 2020: LAPSIS, THE COLUMNIST, MINOR PREMISE, FEELS GOOD MAN & HAIL TO THE DEADITES [Capsule Reviews]
- BUNRAKU Writer/Director Returns with LX 2048 [Trailer]
- BLOOD QUANTUM Writer/Director Talks Inspiration, Zombies & Representation [Interview]
- Fantasia 2020: THE OAK ROOM, MARYGOROUND & CLIMATE OF THE HUNTER [Capsule Reviews]
- Sylvester McCoy Talks SENSE8, DOCTOR WHO & THE OWNERS [Interview]
- Fantasia 2020: PVT CHAT, PATRICK, TIME OF MOULTING, SLEEP [Capsule Reviews]
- Scholar Mitch Horowitz Breaks Down Faith, Horror & CURSED FILMS [Interview]
- Actor Cosmo Jarvis Talks About his New Thriller THE SHADOW OF VIOLENCE [Interview]
- Director Jay Cheel Talks Making of Horror Documentary CURSED FILMS [Interview]
- Europe is in Shambles in UNDERGODS [Trailer]
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Crew
Marina Antunes
Editor in Chief
Vancouver, British Columbia
Christopher Webster
Managing Editor
Edmonton, Alberta
DN aka quietearth
Founder / Asst. Managing Editor
Denver, Colorado
Simon Read
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
Manuel de Layet
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
Daniel Olmos
Corrispondente in Italia
Italy
Griffith Maloney aka Griffith Maloney
New York Correspondent
New York, NY
Stephanie O
Floating Correspondent
Quiet Earth Bunker
Jason Widgington
Montreal Correspondent
Montreal, Quebec
Carlos Prime
Austin Correspondent
Austin, TX
Latest news








Year: 2009
Directors: Roland Vranik
Writers: Roland Vranik / András Barta
IMDB: link
Trailer: link
Review by: Ben Austwick
Rating: 7 out of 10
[Editor's note: We also have another review Rick wrote from August of 2009 here]
Post-apocalyptic worlds are often of familiar type – dusty wasteland, warring tribes and a desperate struggle for survival. While anyone who has read The Road or played Fallout 3 will know this isn't necessarily a bad thing, it's a shame that the broad possibilities the genre opens up have been pushed out by this convention. Transmission harks back to a time when authors like JG Ballard and John Wyndham took a What If? approach, removing or adding factors that send society on a new course, exploring the possibilities thrown up on the way. Furthermore it does so with real style.
The premise of Transmission is simple at first glance: data can no longer be transmitted. There is no TV, no radio, no computers. People charge batteries from makeshift generators, but there is no national grid. Food production has become localised, the coastal city the film is set in relying on fishing. Communication is at its most basic, an area of the city called “The Wall†used as a meeting place to put up notices and pictures of lost loved ones. But while isolated, people are well-fed, safe and unafraid. Just bored and listless.
The nature of the disaster is revealed slowly, the questions it raises tackled in the sparse conversations of a slow-paced, restrained film. While most of the holes in the theory are explained at some point, its very nature is rather unscientific and precludes a full explanation. Speculation is minimal, but interestingly is mainly along the lines of the phenomenon being caused by mass hypnosis or delusion. This Ballardian touch fits in well with the haunting setting of concrete precincts, tower blocks and tatty modernist houses, and also the dazed, resigned air of the city's populace. When one character begins to obsessively build a wall of concrete blocks in his garden to distract from his insomnia the connection is complete.
Disappointingly, this strange, dreamlike world becomes the setting for a simple murder mystery tale that is as slight as it is drawn-out and bears no relevance to the unusual world it is set in. The disaster is relegated to background setting as this uninspiring story unfolds, and while you wait for the two to connect up in some intriguing and unforeseen way they never do. It's the only flaw in a film that gets pretty much everything else right, but it's a big one, leaving Transmission's beautiful direction and original premise hanging in a void of irrelevance.
You might also like








agentorange (10 years ago) Reply
This film is slow at times but I loved it. Highly recommended.