- Jaw dropping full short for arthouse scifi flick ANALOG
- Jaw dropping full short for arthouse scifi flick ANALOG
- The river is a cemetary for the DERANGED (YEONGASI) [trailer]
- Low budget zombedy horror in GANGSTERS, GUNS & ZOMBIES [trailer]
- LIQUID SKIES has the coolest trailer you will see all week!
- Jaw dropping full short for arthouse scifi flick ANALOG
- Low budget zombedy horror in GANGSTERS, GUNS & ZOMBIES [trailer]
- Slava Ross's FAT STUPID RABBIT
- NSFW trailer for mind invasion erotic thriller VANISHING WAVES
- Trailer for J.J. Abrams' PA show REVOLUTION!
- Re: The Legend of Love & Sincerity
- Re: Hello is anybody there?
- Re: Series tips?
- Re: Legend of Spacelord Mo Fo - P/A Space-Western Digital Co
- Re: White Night (or where do I get my 30 + from now?)
- Re: Evil Dead: Genesis of the Necronomicon
- Re: Another (Anazâ)
- Re: Add a Paragraph
- Evil Dead: Genesis of the Necronomicon
- Re: Life Is Dead
- Spaniards follow 7 people after a nuclear apocalypse in SURVIVORS' CHRONICLES [teaser]
- Bong Joon-ho's frozen world PA flick SNOWPIERCER (LA TRANSPERCENEIGE) finally underway
- Trailer for J.J. Abrams' PA show REVOLUTION!
- The MOLES (TOPOS) live in underground tunnels [stills]
- Concept trailer for flooded world PA flick ALLUVION
- First look at the cast of REVOLUTION J.J. Abams' new apocalypse show
- Promo trailer for animated PA flick APOCALYPSE PIZZA VIDEO
- Craig DiLouie's infectious plague saga continues with THE KILLING FLOOR!
- Potassium Iodide is gold in PA flick WORMWOOD [trailer]
- Teaser for Albert Pyun's Cyborg inspired CYBORGS: RISE OF THE SLINGER
- Promo Trailer for HEART LAND shows adorable children fighting zombies
- CANNES 2012: Long live the new flesh! Review of ANTIVIRAL
- Review of Manuli's lyrically impressive THE LEGEND OF KASPAR HAUSER
- CANNES 2012: Review of Wes Anderson's mighty MOONRISE KINGDOM
- First clip from David Cronenberg's COSMOPOLIS
- Will the audience be missing in REPORTED MISSING? (DIE VERMISSTEN) [review]
- Good but not great. Review of Ti West's THE INNKEEPERS
- Teens turn soldiers in effective Australian drama TOMORROW, WHEN THE WAR BEGAN [review]
- TRIBECA 2012: Review of hippie apocalypse drama FIRST WINTER
- TRIBECA 2012: Review of Harmony Korine buffet THE FOURTH DIMENSION
- TRIBECA 2012: Review of home invasion thriller REPLICAS
- Cannes Exclusive: Russia's first zombie shocker METELETSA: WINTER OF THE DEAD gets a poster by Ashley Wood!
- Concept trailer for flooded world PA flick ALLUVION
- CANNES 2012: Body hopping in Leos Carax's HOLY MOTORS [stills]
- Alejandro Jodorwsky western comic BOUNCER going celluloid?
- Zombedy comic THE ZOMBIES THAT ATE THE WORLD headed to big screen?
- Stellar trailer for They Live + Invasion of the Body Snatchers mixture BRANDED
- Synopsis for Edgar Wright's THE WORLD'S END surprisingly involves pub
- Sundance Lab projects include drunken astronauts and one PA flick
- Is Cronenberg Cannes premierer ANTIVIRAL body horror? [stills]
- Nine Inch Nails accompanies the blood soaked NSFW trailer for EXCISION
- Incredible trailer for animated scifi hacker actioner short POSTHUMAN
- Give Alejandro Jodorowsky your money NOW!
- The Church protects mankind with tech in full scifi horror short NOMINA DOMINI!
- First clip from David Cronenberg's COSMOPOLIS
- New on Blu-ray and DVD: Humans vs. Zombies! Mother's Day! Shock Labyrinth!
- First look at the cast of REVOLUTION J.J. Abams' new apocalypse show
- Hey NYC! Win tickets to see enigmatic meta-detective flick YOU ARE HERE!
- Pontypool sequel and two PA features in Fantasia co-production market!
- Follow the making of Bill Plympton's next feature CHEATIN'
- Shaun of the Dead meets The Love Boat in ZOMBIE CRUISE
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Film Festivals
Seattle International Film Festival
May 17 - Jun 10
Seattle, Washington
Festival de Cannes
May 16 - May 27
Cannes, France
Los Angeles Film Festival
Jun 14 - Jun 24
Los Angeles, California
Sydney Film Festival
Jun 06 - Jun 17
Sydney, Australia
Edinburgh International Film Festival
Jun 20 - Jul 01
Edinburgh, Scotland
Fantasia International Film Festival
Jul 19 - Aug 07
Montreal, Quebec
New York Asian Film Festival
Jun 29 - Jul 15
New York, NY
Melbourne International Film Festival
Jul 22 - Aug 07
Melbourne, Australia
Crew
Don Neumann aka quietearth
Editor in Chief
Fort Collins/Denver, Colorado
agentorange
Managing Editor
Edmonton, Alberta
Marina Antunes
Assistant Managing Editor
Vancouver, British Columbia
projectcyclops
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
The Crystal Ferret
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
kilowog
LA Correspondent
Los Angeles, California
Joao Fleck
South American Correspondent
Porto Alegre, Brazil

movie review horror Year: 2010
Directors: Dan Turner
Writers: Jason Arnopp / Dan Turner (
IMDB: link
Trailer: link
Review by: projectcyclops
Rating: 3 out of 10
A low budget British horror set almost entirely in an underground bunker, inside of which the army have captured a supernatural entity and are holding it in a kind of EMP Faraday cage. An American woman who claims to have psychic powers visits the bunker and tries to make contact with the creature, which has begun to penetrate the field and find ways to posses the soldiers and scientists, playing malevolent games and generally adding to the air of cabin fever.
The first words on my notes for this films simply say, "Oh dear." It's hard not to notice the low budget immediately, as well as the patchy acting and very simple, slightly wonky script, all of which sadly make Stormhouse a bit of a clunker. I can't really fault any one actor on their performance as it's a kind of across the board lack of energy and chemistry. The psychic is played by Katherine Flynn who happens to be the daughter of Jane Seymour, and has had bit parts in many television shows and a few films, mostly credited as 'Receptionist' or 'Waitress'. She's not terrible though, but struggles to carry the film on her own. Supporting actor Grant Masters handles his role as an arrogant army major quite well, but it's like when you watch a school play and there's one kid who's a natural while the others flounder around on stage.
The direction is at best pretty nuts-and-bolts, with the cinematography keeping the emphasis on shadows and fluorescent lighting to try and keep the audience on edge, but it's kind of like watching someone filming in their basement. There are many CCTV cutaways and place cards telling us the date and time, which only serve to let us know time is passing in the film. I liked the special effect for the cage, it was basic but that worked to make it look in place within the film. What really lets the film down though was the script. I can handle low budgets, limited performers and basic directing so long as there is good dialogue, but writers Dan Turner and Jason Arnopp just don't make it sound convincing. The soldiers bark orders, hassle the wimpy scientists (reminding me of Day of the Dead more than a little bit) and make rude comments about Flynn, because she is a woman. It's that kind of stuff. But we never think that these are real people, just stereotypes, which would be fine in a film which declared itself a b-movie from the get-go but I got the impression that Stormhouse took itself too seriously, with it's constant references to the war in Iraq and the treatment of prisoners in Guantanamo Bay.
One element that really didn't make sense was why everyone would be so negative towards Flynn's character if it were they who had invited her, reminding me of that old Simpsons joke, "Why would they come just to boo us?" The major seems particularly skeptical about her abilities, even although they're dealing with an actual ghost. If you've got a real live ghost in a cage, possessing your men and causing trouble, then why dismiss someone who claims they can talk to it? Just one of many plot holes. Also, why is it that when the alarm goes off, so do all the lights? Wouldn't you want more light in an emergency?
Enough griping, there are a few good points. The gore is in there so if that's your bag then there's a section towards the end of the film during which there are decapitations, severed limbs and a deadly basketball which provides easily the best moment in the film; a moment that seems like it belongs in another film but made the entire audience laugh. The effects are simply the best part of the film; pretty impressive and largely practical, although I spotted some CGI in there.
Not the worst film I've seen so far this year, but it's never going to set the world on fire.
cyberhal (10 months ago) Reply
I was really looking forward to this one! Aw! I think I have to check it out anyway.
ritter (10 months ago) Reply
how does it compare to that film projectcyclops made?
Hot Fuzz (10 months ago) Reply
@ritter
You do understand that film critics don't make movies right? Do people say stupid shit like that to Roger Ebert? Idiot.
projectcyclops (10 months ago) Reply
@Hot Fuzz
Thanks mate. I've actually made seven films and am working on my second feature though.
Ebert wrote "Beyond the Valley of the Dolls" if memory serves.
ChrisR (10 months ago) Reply
If Project Cyclops did make a film, it would probably be better, Ritter. His review didn't trash the film gratuitously, it was fair and balanaced and he wanted to like the film if he could. Your comment is as stupid as someone going into a computer shop, buying a PC that doesn't work, and having the manager say 'let's see you make a PC then hot stuff'.




