- Bruce LaBruce making gay Harold and Maude GERONTOPHILIA
- Promo Trailer for HEART LAND shows adorable children fighting zombies
- Move over Iron Sky, the 25th REICH trailer has arrived!
- Jaw dropping full short for arthouse scifi flick ANALOG
- Jaw dropping full short for arthouse scifi flick ANALOG
- The river is a cemetary for the DERANGED (YEONGASI) [trailer]
- Low budget zombedy horror in GANGSTERS, GUNS & ZOMBIES [trailer]
- LIQUID SKIES has the coolest trailer you will see all week!
- Jaw dropping full short for arthouse scifi flick ANALOG
- Low budget zombedy horror in GANGSTERS, GUNS & ZOMBIES [trailer]
- Mask the Kekkou: Reborn
- Re: The Legend of Love & Sincerity
- Re: Hello is anybody there?
- Re: Series tips?
- Re: Legend of Spacelord Mo Fo - P/A Space-Western Digital Co
- Re: White Night (or where do I get my 30 + from now?)
- Re: Evil Dead: Genesis of the Necronomicon
- Re: Another (Anazâ)
- Re: Add a Paragraph
- Evil Dead: Genesis of the Necronomicon
- Spaniards follow 7 people after a nuclear apocalypse in SURVIVORS' CHRONICLES [teaser]
- Bong Joon-ho's frozen world PA flick SNOWPIERCER (LA TRANSPERCENEIGE) finally underway
- Trailer for J.J. Abrams' PA show REVOLUTION!
- The MOLES (TOPOS) live in underground tunnels [stills]
- Concept trailer for flooded world PA flick ALLUVION
- First look at the cast of REVOLUTION J.J. Abams' new apocalypse show
- Promo trailer for animated PA flick APOCALYPSE PIZZA VIDEO
- Craig DiLouie's infectious plague saga continues with THE KILLING FLOOR!
- Potassium Iodide is gold in PA flick WORMWOOD [trailer]
- Teaser for Albert Pyun's Cyborg inspired CYBORGS: RISE OF THE SLINGER
- Promo Trailer for HEART LAND shows adorable children fighting zombies
- CANNES 2012: Long live the new flesh! Review of ANTIVIRAL
- Review of Manuli's lyrically impressive THE LEGEND OF KASPAR HAUSER
- CANNES 2012: Review of Wes Anderson's mighty MOONRISE KINGDOM
- First clip from David Cronenberg's COSMOPOLIS
- Will the audience be missing in REPORTED MISSING? (DIE VERMISSTEN) [review]
- Good but not great. Review of Ti West's THE INNKEEPERS
- Teens turn soldiers in effective Australian drama TOMORROW, WHEN THE WAR BEGAN [review]
- TRIBECA 2012: Review of hippie apocalypse drama FIRST WINTER
- TRIBECA 2012: Review of Harmony Korine buffet THE FOURTH DIMENSION
- TRIBECA 2012: Review of home invasion thriller REPLICAS
- Beautiful planet genesis in trailer for scifi short ABIOGENESIS
- Cannes Exclusive: Russia's first zombie shocker METELETSA: WINTER OF THE DEAD gets a poster by Ashley Wood!
- Concept trailer for flooded world PA flick ALLUVION
- CANNES 2012: Body hopping in Leos Carax's HOLY MOTORS [stills]
- Alejandro Jodorwsky western comic BOUNCER going celluloid?
- Zombedy comic THE ZOMBIES THAT ATE THE WORLD headed to big screen?
- Stellar trailer for They Live + Invasion of the Body Snatchers mixture BRANDED
- Synopsis for Edgar Wright's THE WORLD'S END surprisingly involves pub
- Sundance Lab projects include drunken astronauts and one PA flick
- Is Cronenberg Cannes premierer ANTIVIRAL body horror? [stills]
- Nine Inch Nails accompanies the blood soaked NSFW trailer for EXCISION
- Incredible trailer for animated scifi hacker actioner short POSTHUMAN
- Give Alejandro Jodorowsky your money NOW!
- The Church protects mankind with tech in full scifi horror short NOMINA DOMINI!
- First clip from David Cronenberg's COSMOPOLIS
- New on Blu-ray and DVD: Humans vs. Zombies! Mother's Day! Shock Labyrinth!
- First look at the cast of REVOLUTION J.J. Abams' new apocalypse show
- Hey NYC! Win tickets to see enigmatic meta-detective flick YOU ARE HERE!
- Pontypool sequel and two PA features in Fantasia co-production market!
- Follow the making of Bill Plympton's next feature CHEATIN'
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Film Festivals
Seattle International Film Festival
May 17 - Jun 10
Seattle, Washington
Festival de Cannes
May 16 - May 27
Cannes, France
Los Angeles Film Festival
Jun 14 - Jun 24
Los Angeles, California
Sydney Film Festival
Jun 06 - Jun 17
Sydney, Australia
Edinburgh International Film Festival
Jun 20 - Jul 01
Edinburgh, Scotland
Fantasia International Film Festival
Jul 19 - Aug 07
Montreal, Quebec
New York Asian Film Festival
Jun 29 - Jul 15
New York, NY
Melbourne International Film Festival
Jul 22 - Aug 07
Melbourne, Australia
Crew
Don Neumann aka quietearth
Editor in Chief
Fort Collins/Denver, Colorado
agentorange
Managing Editor
Edmonton, Alberta
Marina Antunes
Assistant Managing Editor
Vancouver, British Columbia
projectcyclops
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
The Crystal Ferret
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
kilowog
LA Correspondent
Los Angeles, California
Joao Fleck
South American Correspondent
Porto Alegre, Brazil

Year: 2010
Director: Duncan Jones
Writer: Ben Ripley
IMDB: link
Amazon: link
Trailer: link
Review by: Marina Antunes
Rating: 7 out of 10
[Editor's Note: Rochefort had a similar reaction when he saw the film at SXSW.]
When Duncan Jones arrived on the scene in 2009 with his debut Moon, he was heralded the man that would take us back to big thought, minimalist sci-fi. These sorts of expressions are often without merit but with his follow-up Source Code, Jones is cementing himself as a director of thought provoking fare, even when the trappings appear to be straightforward.
The trailer for Source Code appeared to give away big chunks of the story but you can chalk that up to great editing. Jake Gyllenhaal is Colter Stevens, a military man on a mission to save the city of Chicago from a crazy bomber. A bomb has gone off on a commute train and the city has been warned that a second bomb will go off in a few hours time, causing mass panic and destruction. Enter Source Code. A new military program created by a mad scientist (Jeffrey Wright), Source Code allows an individual to be jacked into some sort of simulation of a compatible individual's last eight minutes of life. It's not explained how those eight minutes are dug out of the dead body and it's not really of importance. The thing to note is that Stevens is dumped into this strange body with a mission: to find the bomber and until he does so, he'll be re-living those gruelling eight minutes. Forget re-living the same eight minutes over and over again, I'd be more upset about dying every eight minutes.
All of this laid out in the trailer and the film's synopsis but the great thing about Source Code is that there's much more going on, both plot wise and thematically. The joy of a film like Source Code is that it can be watched and enjoyed as an action film but those looking for more, there are plenty of nuggets for further discussion. Start with the mental anguish that clearly plagues Stevens the first few times he returns to "reality." Waking up from an ugly death is traumatizing and though it seems to get easier the more times he returns to and from the Source Code, death takes a toll on his psyche; the moral debate here alone is enough to keep discussion rolling for a while but I must admit I was more excited about the prospect of the film's closing minutes when Stevens convinces Goodwin (Vera Farmiga), the mad doctor's assistant, to send him back into the system for one last run.
Throughout Source Code Stevens brings up this idea of multiple realities and though Dr. Rutledge and Goodwin explain that the Source Code isn't a reality, there are some attempts to explain the idea of Source Code with real science, but just a memory of 8 minutes that have already occurred, but Stevens is convinced otherwise and as those final minutes on his final trip into the Source Code counted down, I found myself hoping that Stevens was right. Part of it is the story which develops a retlationship, in 8 minutes, and sometimes less, incriments between Stevens and Christina (Michelle Monaghan), the woman sitting across from him on the train but mostly, it's Gyllenhaal's performance which brings heart and emotional depth to the otherwise emotionless proceedings. This is a mission and everyone in the "real world" treats it as such leaving Gyllenhaal to deliver the emotional punch.
Source Code isn't quite the classic that Moon is but Jones delivers an entertaining, thought provoking story which is more appealing to the general masses than his debut; it's certainly a worthy follow-up. Jones is setting himself up as a must-watch director and at this rate, I can't wait to see what he has in store for us with Mute (details).
Source Code is available on DVD and Blu-ray on Tuesday, July 25th.
DVD Extras: A nice assortment of extras on this release including a 40 minute interview with the film's stars and the director on everything from the difficulties of shooting in an enclosed space to the atmosphere on set, a commentary with the director as well as a trivia version of the film that when played, displays pop-ups of random trivia.
agentorange (9 months ago) Reply
I liked Source Code a lot, but I would attribute its success more to Ben Ripley's high-concept script and Jake Gyllenhaal's chops than to Jones' direction.
I was a big fan of Moon. There was a personality with a vision behind the camera. With Source Code, Jones does little more than service the script. It's competently made, but it also feels like anyone could have made it. Chock it up to being a studio picture with a lot of cooks at the table, but where I expected to see the blossoming of an auteur I only saw entertainment.
I hope this does well on Blu-ray because Ripley should be getting more big movies made and Jone's needs more freedom next time.
Tico (9 months ago) Reply
Source Code i a great film and Duncan Jones proved again that he is a great director. There is nothing wrong in servicing the script. Imagine that this 'directors' serviced the Source Code script. Zack Snyder, Michael Bay, Antoine Fuqua, Quentin Tarantino, ...
agentorange (9 months ago) Reply
No there is nothing wrong with servicing a script. On a base level that's a director's job. But trust me. If any of those directors you mentioned worked on Source Code it would be a very different kind of film IMO. Jones has real talent and I'm cheering for him but this doesn't hold a candle to Moon.
Robert Paulsen (9 months ago) Reply
If you are into movies that will intrigue you, then Source Code is a movie you need to see if you haven’t seen it already. One way you can see it is by using Blockbuster Online. Right now if you switch to DISH Network you can get Blockbuster Online FREE for 3 months! There are over 100,000 movie titles to choose from. As a DISH Network customer and employee I can tell you that if you’re in the mood for movies not in your queue, that’s no problem! You can get a different title right now with instant in-store exchanges (you can’t do that with Netflix). More info online at http://bit.ly/isAh2e
uncleB (9 months ago) Reply
@Robert Paulsen - FUCK-OFF
MORE SPAMMERS TRYING TO SNEAK IN THE BACKDOOR.




