- Rebecca Romijn is Hunted in ENDANGERED SPECIES [Trailer]
- Emilia Clarke vs The FBI in ABOVE SUSPICION [Trailer]
- Emilia Clarke vs The FBI in ABOVE SUSPICION [Trailer]
- Ben Wheatley Returns with IN THE EARTH [Trailer]
- Ben Wheatley Returns with IN THE EARTH [Trailer]
- Josh Hartnett is Memorable in Drug Drama INHERIT THE VIPER [Review]
- Cube Meets Saw in MEANDER Trailer from Mathieu Turi
- EIFF 2019: ANIARA is a Deeply Haunting Sci-Fi Experience [Review]
- BERLINALE 2021: TIDES Comes After Hell [Trailer]
- EIFF 2019: ANIARA is a Deeply Haunting Sci-Fi Experience [Review]
- Re: Occupation, Australian Sci Fi movie
- Slice of Life, Blade Runner inspired short
- Is Snowpeircer a sequel to Willy Wonka?
- Re: Yesterday
- Re: Yesterday
- Yesterday
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Re: White Night (or where do I get my 30 + from now?)
- Don't Mess With the SCAVENGER [Trailer]
- BERLINALE 2021: TIDES Comes After Hell [Trailer]
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- A Comet Destoys Earth in GREENLAND Trailer
- Interactive WAR OF THE WORLDS Adaptation Out Now!
- 8K Trailer for Train to Busan Sequel PENINSULA Drops Hard!
- Making a Bomb Shelter in a Funhouse is a Bad Idea in IMPACT EVENT [Trailer]
- Retro Slave: FOX's Post-Apocalyptic Sitcom WOOPS!
- TRAIN TO BUSAN Sequel PENINSULA Gets a Teaser Trailer
- New on Blu-ray and DVD for March 11, 2020
- The Apocalypse Kills Women in ONLY [Trailer]
- SATOR is a Welcome Addition to the Folk Horror Canon [Review]
- Women in Horror Month: NEAR DARK
- SOUTHLAND TALES: The Cannes Cut [Review]
- A Woman's Mind Unravels in BIGHT HILL ROAD [Review]
- TIFF 2020: Vanlife Gets a Reality Check in NOMADLAND [Review]
- TIFF 2020: APPLES, THE WAY I SEE IT, PIECES OF A WOMAN & ONE NIGHT IN MIAMI [Capsule Reviews]
- TIFF 2020: The Truth Tellers Return with THE NEW CORPORATION: THE UNFORTUNATELY NECESSARY SEQUEL [Review]
- TIFF 2020: NEW ORDER is Brutal, Violent & a Must-See [Review]
- TIFF 2020: ENEMIES OF THE STATE, Or Are They? [Review]
- TIFF 2020: HOLLER Explores Life in a Dying Town [Review]
- Devon Sawa on HUNTER HUNTER, Preparation & that Glenn Danzig Movie [Interview]
- SKYLINES Writer/Director Liam O'Donnell Talks Writing, Casting & Working in Quarantine [Interview]
- Neil Marshall Returns with Witch Trial Horror THE RECKONING [Clip]
- BRADEN DUEMMLER Talks Writing, Casting & Creep Meter in WHAT LIES BELOW [Interview]
- MONSTER HUNTER Coming for Christmas [Trailer]
- Lynne Ramsay Set to Direct Stephen King Adaptation [News]
- Split Personality Thriller MINOR PREMISE Coming Soon [Trailer]
- Who Hunts Who in HUNTER HUNTER? [Trailer]
- SKYLINES Is Coming! [Poster Premiere]
- Enter for Your Chance to Win a Blu-Ray Copy of 2067 [Contest]
- Saskatoon Fantastic Film Festival Returns with In-Person Event [Line Up]
- Family Drama & Creature Feature. WHAT LIES BELOW Brings Both? [Trailer]
- LUNATIQUE Director Returns with WASTELAND 3 Promo [Short Film]
- Producer Adrienne Biddle on Horror, Working with Bryan Bertino & Their Latest THE DARK AND THE WICKED [Interview]
- Joe Manganiello is a Washed Up Superhero in ARCHENEMY [Trailer]
- Nightstream Horror Festival Launches Next Week [Lineup]
- 2067 Director Talks Inspiration, Environment & Time Travel [Interview]
- THE STRANGERS Director Returns with THE DARK AND THE WICKED [Trailer]
- Michael Shannon is Crime Boss in ECHO BOOMERS [Trailer]
- Hair Extensions Get Horrific in BAD HAIR [Trailer]
Jack In
Latest Comments
Latest Forum Posts
PA News
Latest Reviews
Older News
Crew
Marina Antunes
Editor in Chief
Vancouver, British Columbia
Christopher Webster
Managing Editor
Edmonton, Alberta
DN aka quietearth
Founder / Asst. Managing Editor
Denver, Colorado
Simon Read
UK Correspondent
Edinburgh, Scotland
Rick McGrath
Toronto Correspondent
Toronto, Ontario
Manuel de Layet
France Correspondent
Paris, France
rochefort
Austin Correspondent
Austin, Texas
Daniel Olmos
Corrispondente in Italia
Italy
Griffith Maloney aka Griffith Maloney
New York Correspondent
New York, NY
Stephanie O
Floating Correspondent
Quiet Earth Bunker
Jason Widgington
Montreal Correspondent
Montreal, Quebec
Carlos Prime
Austin Correspondent
Austin, TX







Year: 2010
Directors: Lars von Trier
Writers: Lars von Trier
IMDB: link
Trailer: link
Review by: rochefort
Rating: 8 out of 10
Director Lars Von Trier has become a brand. He's the 21st century auteur redux, the director as rock star, like him or not. Notice the way his name appears in the opening credits (above the title, no less) in each of his movies, just like the cover of an album. Or the controversy he courts pretty much every time he opens his mouth; you know, like Marilyn Manson or Madonna. And I suppose this is all fair and fun if you're interested in the ins and outs of modern self-hype, but when I sit down in a darkened theater I personally don't care about the personalities surrounding a movie's making; I care about the movie itself, and if it plays, it stays. "Melancholia" plays. It plays so well, in fact, that it only took about twenty minutes of its runtime before I stopped caring about anything other than the fact that I was watching a really good movie. Funny how things come back to the basics, ain't it?
When we first meet Justine (Kirsten Dunst), she's sitting next to her new husband Michael (Alexander Skarsgard) in a limo stuck in the mud on the way to their wedding reception. It's a deceptively playful scene, and you wouldn't think from these first few minutes, which quickly establish both characters as believable and likable, that you were about to watch the most dysfunctional reception ever. But Justine suffers from a debilitating form of depression that threatens to end her marriage before it's barely gotten started. Her sister Claire (Charlotte Gainsbourg) is the only member of her family who sticks with her through the good times and the bad, but Justine's sabotage of this "most special night" tests their relationship to an extreme that plays extremely real, and is sometimes close to unbearable.
But then a spectacular event occurs and shifts everyone's perspective on everything. A rogue planet, Melancholia, has emerged from its hiding place behind the sun and is scheduled to pass extremely close to the earth. Or through it, depending on which scientists you believe. Justine and Claire, along with Claire's husband John (Kiefer Sutherland, in his best role in a long, long time), cluster up at John's sprawling country home to ride out the cosmic phenomenon. John assures his family that Melancholia will pass without incident and everything will be fine. Justine, whose depression seems to dissipate more and more the closer the planet gets, believes otherwise.
Von Trier has routinely vacillated between the brilliant and the maddeningly obtuse from one film to the next, and the only predictable aspect of his output to date has been that he does things his way, for better or worse. But now the brain trust at Cannes has decided to turn him into a pariah, which strikes me as more than a little hypocritical, considering they've so regularly applauded the distinctness of his voice and vision. His recent pronouncement, post-Cannes debacle, that he'll no longer grant interviews or speak publicly works just fine for me, since now his films will do all the talking. And "Melancholia" does kinda maul the enduring sense that humanity will prevail over all obstacles, so I guess it's possible to see how a few ill-conceived comments about identification with Hitler, while doing press for a movie that argues the universe would be better off without Earth, well… I suppose you could deduce that this guy could be a slight ideological menace.
Ultimately, though, it would be a shame if the reception for what is possibly his best film to date were to be overshadowed by all this recent hubbub, but I any press is good press, right? The irony is that a wider audience may now seek out the film to satisfy a certain morbid curiosity. There are equal parts elegance and nihilism on display here, so it's tough to tell how the court of public opinion will finally rule, but I personally appreciated the complex characters, challenging subtext and, yes, the sheer audacity. "Melancholia" is definitely a can't-miss experience for any film lover, one of those movies that sticks with you for a long time, its impact deeply enough felt that maybe all the controversy makes a kind of weird sense after all.








ASpaceOdissey (9 years ago) Reply
I'm sorry but I strongly disagree.. in my opinion the script was really poor and the first part of the movie was awfully slow without no interesting dialogues or whatever. I'm a huge fan of von trier but this movie was a disappointment. He use the painting of Brugel (solaris) and the scene of the falling horse (Andrej Rublev) in the beginning as an homage to Tarkovsky I suppose, he even dedicate the antichrist to him. Well he should have learn something more from the master...

j.j. (9 years ago) Reply
" but I any press is good press, right?"
LOL

rochefort (9 years ago) Reply
hey j.j., it was a typo. was supposed to just read "but any press is good press". sorry 'bout that.

timefelt (9 years ago) Reply
beautiful, lovely, rapturous; What makes this a work of art is that it resonates larger than just another film. There is a great sense of so much more occurring outside the frame...It carries the viewer with it...

papaswamp (9 years ago) Reply
"maddeningly obtuse" was most of the movie for me…perhaps disjointed. I know people like to say how deep it was, etc. etc., but it wasn't for me.…If I'm thinking most of the movie WTF is going on…then it's a miss.

Cletus (9 years ago) Reply
The film didn't work for me. It lacked originality and I couldn't find a reason to care for any of the characters. Maybe it's because I'm not a big fan of nihilism. I mean, I could give a folk that the universe won't miss us when we're gone. Life is what it is and what you make of it. The characters in Melancholia hadn't achieved much and didn't truly care about each other, so meh. If that was the point of the movie, then it's a triumph.

(9 years ago) Reply
You're an idiot. This movie was dogshit, explain to me why I would rather have spent two hours watching this than getting hit by said planet.

(9 years ago) Reply
Totally agree. This movie was a waste of two hours of my life. Horrible. Worst movie I have ever seen.

EarthsSurvivor (9 years ago) Reply
Thanks for the review fellow commentators; your views confirmed my opinions and I won't watch this film. I use to be a fan of Von Trier - but then I grew up. I'm most dissatisfied with the fact that being outspoken, daring in the controversial aspect is considered cool in today's society. That's all this director is. Just look at all his main films. They are sick and twisted. In today's society sick and twisted now equals art, it's considered to be deep and intelligent. Which is even more disturbing! Where does one cross the line if anything and everything that is sick and twists considered as art?
Von Trier fans are all pseudo-intellectual hipsters.

(9 years ago) Reply
Hipsters? All of them? That is rather depressing thinking.